Holy Trinity Church Meldreth Kneelers

Kneeler by Jane Cameron
Detail from Jane Cameron's kneeler
Detail from Jane Cameron's kneeler
Detail from Jane Cameron's kneeler
Detail from Jane Cameron's kneeler
Lizanne van Essen, Meldreth 2012
Lilies and Ivy. Cross stitch, crossed corner stitch.
Anne Young, Meldreth 2012
Cross stitch
Joan Gipson, Meldreth 2012
Cross stitch
Julie Draper, Meldreth 2012
The Holy Trinity. Cross stitch, cross cornered stitch, petit point (tent stitch), slanting gobelin.
Pauline Parkinson, Melbourn 2012
Cross stitch
Jill Price, Meldreth 2012
Cross stitch, petit point (tent stitch), crossed corner stitch
Ann Handscombe, Meldreth 2012
Cross stitch
Jane Cameron, Foxton 2012
This is a basic design executed in cross stitch
Sandra Ray, Meldreth 2012
Fleur-de-lis with bell motive on the surround. Cross stitch.
Janet Pilkington Meldreth 2012 - I took the pattern of my kneeler from the stone decoration around the font.
Cross stitch
Unknown, Meldreth
Upright Gobelin
Helen Walford
Tent stitch
Helen Walford
Tent stitch
Anonymous, 2012
Cross stitch
Anonymous, 2012
Cross stitch


For the Millennium, Mary Course took a design fitting for the occasion for ten stitchers to complete ten kneelers which she upholstered herself. The stitchers were Mary Course, Anne Young, Jill Price, Eira Martin, Joan Gipson, Jane Cameron, Tessa Humphries, Ann Handscombe and Janet Batchelor.

Our new project started in 2011, with Lizanne van Essen helping us with designs taken from artefacts in the church and the churchyard. She and Julie Draper with a number of others went to visit several churches to look at their designs, colours and stitches. We were impressed by the kneelers in Saffron Walden church; the main background colour was matched with the colour of the carpet and individual designs featuring a large number of  individual interests, such as music, were contained within a quatrefoil, outlined in the same colour throughout.

We decided to follow their design plan taking the background colour from the carpet (the same colour used in the millennium kneelers), with red defining the quatrefoil and edges of the kneeler and pale blue for the outside of the individual designs in the quatrefoils. In each corner in the same red are the initials HT (for Holy Trinity).  Stitchers were encouraged to “sign” their kneelers and if they wished, to add a dedication around the sides of the kneeler.

The canvas used is Penelope Antique ten holes to the inch 25 x 20 inches with Appleton’s crewel wool, two threads to the inch. The red outline stitch is no 504, and the main background stitch is blue, no 566.

We have had enormous help and encouragement from Mrs Sanderson of Colorcraft in Saffron Walden who is a mine of information on tapestry and stitching in general.

This is definitely a 25 year project and happily, new members ask to join the group which meets once a month in the meeting room in Holy Trinity Church on the third Friday of every even month of the year and the third Thursday of every odd month of the year.

All are welcome! None of us are experts but we are learning all the time.

Some of our stitchers are featured below and some of the kneelers are shown on the right.

For further information, please contact:
Julie Draper, telephone (01763) 260323
Lizanne van Essen, telephone (01763) 2604362

 Jane Cameron

After I finished my first kneeler, I looked around Holy Trinity for inspiration for a pattern for another.

I took a photograph of the stained-glass window near the font and chose the pattern from that. The colours and design of the central pattern on the kneeler came from the robe worn by the figure in the window. The kneeler’s border was taken from the edge of the robe. I changed the colours to a more subtle grey and pale blue. Lizanne van Essen designed the chart for me.

I showed my father the design and he showed great interest in it and liked the pattern. He was unwell at the time and when he died at the beginning of 2013, I decided to stitch the kneeler in his memory, as shown by the wording on the edges.

Lizanne van Essen

Lilies appear in the stained glass and often in flower arrangements around the church, symbolising purity. Ivy and stylised leaves are also in many places and in Victorian times symbolised friendship in the group of kneeler sewers. I particularly enjoyed sewing the lilies as many years ago I had sewn other lilies in another kneeler for Bury St Edmund’s Cathedral.

Anne Young

My kneeler is done entirely in cross stitch as I am no needlewoman. The design is taken from a gravestone in the churchyard. Part of the dedication is to my late husband, Ian McLeod Young, who died in November 1996 and is interred in the remembrance garden in the churchyard. Although at that time we did not live in the village, we used to come regularly to the 8 am services and I subsequently moved to the village in 2000. The second part of the dedication is to our granddaughter, Clara Young, who was born and died in 2006.

 Joan Gipson

My design with bells celebrates my husband John’s long service as captain of the bells in Meldreth Church. He trained generations of bell ringers and completed 3000 peals rung all over the country.

Julie Draper

The dedication is to my parents, Mark and Audrey Pearson and uses the phrase “remembered with love” round the edge, because it is engraved on their headstone in the graveyard at Wotton Rivers church in Wiltshire. Mark, who suffered badly from Parkinson’s disease, came to live with me, Peter and our children, Chloe, Susie and Tim for three years after Audrey died, eventually slipping away at the Dumb Flea in Chiswick End. Willers firm from Harston, who had added on a small extension to the cottage for him, were the funeral directors. He was a regular communicant at Holy Trinity and he is remembered by an inscription on the chalice used in the Eucharist services.

Pauline Penfold

I have dedicated this kneeler to The Royal British Legion on its 90th Anniversary (1921 to 2011).  Since moving to Melbourn several years ago, I have been associated The Melbourn and Meldreth Branch, which was itself founded 75 years ago.   The central emblem represents the Badge of the Royal British Legion, with the poppies being the familiar symbol of remembrance.

Jill Price

The centre design is very loosely based on the ivy growing in the churchyard. The crosses stitched in different colours in the borders were designed to add interest and were fun to do after the rather long and tedious process of filling in the blue background surrounding the centrepiece.

The kneeler is dedicated to the memory of Ada Caswell, my paternal grandmother who was a stalwart member of her church in Uxbridge Middlesex.

 Ann Handscombe

The design of my kneeler was through my connection with the Meldreth Local History Group.  In the past, the majority of houses in Meldreth were thatched cottages.  The fruit trees denote the connection with the many orchards that Meldreth was famous for as well as the cottage gardens.

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